An Open Letter to the Man Playing the Peruvian Wind Flute in Faneuil Hall

Dear Sir,

I want to first say that I commend you for pursuing your passion of playing the Peruvian Wind Flute, and that I admire your determination, confidence and unwavering commitment to filling the Faneuil Hall area with the sounds of the Peruvian Wind Flute from approximately 10:00 a.m. to 4:00 p.m., Monday through Friday. Also, I am in awe of your lung capacity. Because you have been playing the same fucking four songs over and over and over and over and over and over and over again for the last twelve days in a row. So I respect you, Mr. Peruvian Wind Flute Player, there's no denying that. But, that said, I need you to stop. Seriously. Stop playing the Peruvian Wind Flute. Because you are driving me fucking mad.

I realize it's not your fault that the entire back of my office is a giant glass wall over looking Faneuil Hall, Quincy Market, and the general congestion of Congress Street. And I realize you have no way of knowing that, after two years in this office, I have an incredibly low threshold for annoying, repetitive noises, especially the sort which emanate from street performers. And since you didn't like, create the Earth and its atmosphere, you are in no way liable for the acoustics of this spatial arrangement, nor for the way the sounds emitted from your Peruvian Wind Flute carry particularly loudly, strongly, and clearly from your patch of brick to my cubicle bound ears. But I am telling you now. It's been going on long enough. You have to stop before something bad happens.

.

Every morning, from 9:15 to just past 10:00, I think to myself 'Yes. Today is the day that the Peruvian Wind Flutist and his evil henchmen have found a new area of the city in which to publically perform. I wish them well, but I am so, so delighted that I will not have to listen to a random scattering of the same four notes for the next seven hour-ah! ah! SHIT HE'S BACK.' Because you are always back. Apparently, no one has told you that there are like 9000 OTHER PLACES IN BOSTON WHERE YOU COULD SET UP YOUR SHITTY LITTLE TABLE AND DISPLAY YOUR CRAPPY CD - WAIT , YOU HAVE A CD? WHAT THE HELL COULD BE ON YOUR CD? YOU HAVE FOUR SONGS. FOUR. SONGS. I mean it, man. You have to go.

.

I know it seems like I'm getting irrationally worked up over nothing. Believe me, I feel guilty for hating you as much as I do. I support the arts, dammit. I hand over portions of my meager paycheck to street performers on the regular. Are you playing water glasses in the Public Garden? Bam, take a dollar. Playing your damn violin in the Common? There's a buck for you, too, kid from Berkeley who totally doesn't need my fucking dollar more than I do. I support your mission that much. And you, guy with the giant boombox and the T-Pain voice modulator thing in the subway? Bam. Two dollars, in your bucket, right now. You made my whole night.

.

But Mr. Peruvian Wind Flutist...enough is enough. You had your chance to charm me, and you failed. From the looks of your stand, you're really not charming many other passersby, either. It doesn't look like you've moved a single CD since last Wednesday (yes, I've been checking. On my lunch break, everyday. During which I fantasize about releasing a termite colony into your Flute cases, and laughing with great mirth. Then I feel really, really bad. For about thirty-five minutes. Until, you know, exactly the moment I walk back into my office and hear the strains of 'ba..babababa...babababadflutemusic...ba..babababa...').

.

Listen - I can't get away from you. I have to sit here. You? You're mobile. You can just pack up your table, and your CDs and roll out. Why are you posted up in Fanueil Hall all the time anyway? These shitty tourists came here to eat overpriced clam chowder and drink a beer at the fake Cheers. They're on their way to bother everyone who works at the Aquarium and on the whale watch boats. What do these assholes know about traditional Peruvian Flute Music? Nothing, most likely. And the office workers surrounding your make-shift amphitheatre? Probably even less. We're World Music philistines. Barbarians, the lot of us. I swear.

.

So please, please - do everyone involved a favor and move your operation somewhere else. The Common might be perfect. Much more comfortable surroundings, and possibly even some hippie parents bringing their kids to the Frog Pond. May I suggest the Green Street T station in JP? There are never are musicians there, and the location is ideal. Somewhere on the Red Line, perhaps? I think you're missing your entire target demographic. Just, please go. Now. I'll even buy a few of your shitty albums if I have to. I could use more coasters. Because, Mr. Peruvian Wind Flutist, consider this your final warning: If I have to listen to you scaling the fucking notes of your goddamn flute while trapped in a staff meeting one more time, I honestly believe that I am going to snap. I will send you a Trojan Alpaca full of termites, Dutch Elm Disease, pandas, I don't know, whatever fucking eats wood and will decimate your flute collection. I hate you that much.

.

Thank you, and best of luck,

kk

.

.

p.s. - This letter, and the passive aggressive pleas contained therein, IN NO WAY APPLY to you, adolescent boy who bangs on the plastic bucket. I love you. I love you even when you gather up half a dozen of your unkempt teenage friends, and you all bang on your buckets in a cacophony of earsplitting, nonsensical hammerings. This also does not apply to you 'Black Guys Dancing', because you are everything joyous and pure that street performers should be. When you randomly invade a car on the T, it's like fucking Christmas. I live for that shit. Thank you.