Night Moves

I want to tell you about how it's different, but I don't know how to explain the difference, when so much of everything is still so entirely the same. I don't have the vocabulary yet, for this new strangeness.

At night, I walk by myself, twenty-nine blocks back to my hotel. I love walking at night, I love cities at night, the bigger the buildings the better I feel. So many faces looking out of so many windows all day, but night comes and they're empty. The same person will look out a window for years, then leave, and some other face will be there. The window: 'Who cares?'

I stop at dive bars, in tourist areas: places full of people escaping the crowds they've been dragged into by loved ones. People likely to understand your desire to be left the hell alone.

I wonder what I will hang on to, and what I will leave behind.

Yesterday: "How great would the city be without all these people?" and I chided, because that's my role sometimes, but in truth -- yes.

I would walk forever. It is dark and I don't want to talk. I could walk through Central Park for hours, lamps lighting water, moon shadows making alien formations from rocky outcroppings. But I can't, I know, I shudder to think of the Post-Apocalyptic possibilities of the park at night. Even if they told me it was safe. Nothing can ever be entirely empty.

Twenty-nine blocks, back to the hotel; at the end I walk along Fifth Avenue, hugging the park, coveting the shadows of those lamps across the ponds. It looks dangerous like a fairy tale. I've always liked fairy tales the best.

Carts wait for passengers. The smell of horses will always remind me of childhood, and I walk as close to the edge of the curb as I can, trying to get in the way of their breath. Everything is dark, and shiny, and the sidewalks are crowded, and people are together, and alone.